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and contextual publishing
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and messy
and personal
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and distribution
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and the in-words: informal, intergenerational, intersectional
and
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and rethinks where the thinking happens – in conversation with Sarah Kember, Goldsmiths Press
and
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and is excited about the LET’S MOBILIZE: What is Feminist Pedagogy? at Valand Academy Gothenburg
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and hosts an Economics For Everyone reading group, starting 5 Oct 2016 at 6.30pm
and
and
and
and Borrowing, Poaching, Plagiarising, Pirating, Stealing, Gleaning, Referencing, Leaking, Copying, Imitating, Adapting, Faking, Paraphrasing, Quoting, Reproducing, Using, Counterfeiting, Repeating, Cloning, Translating
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and
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and self care in an unequal art world
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and will be at Miss Read in Berlin on 10-12 June 2016
and
and feminism(s)
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and creates a library that is curated by the community who is using it
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and asks “Why Publish?”
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and
and
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and goes to book fairs such as OOMK Future Library Fair at OSE
and the New York Art Book Fair
and London Art Bookfair
and Salon Light Paris
and Publish and Be Damned
and Spike Island Book and Zine Fair
and Vancouver Art Book Fair
and Miss Read
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and was founded by Lynn Harris and Eva Weinmayr in 2009
and is run by Eva Weinmayr and Rosalie Schweiker
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and irregularly collaborates with Andrea Francke
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and the Piracy Project
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and the Piracy Collection catalogue
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and writes about the Impermanent Book on Rhizome
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and Piracy Project reading rooms
and a series of Piracy Lectures
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and talks to Turkish pirates during a residence at SALT, Istanbul
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and the Piracy Project is featured in Bloomberg Business Week
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and Yeah, it was mostly girls
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and Feminist Writing at the Centre for Feminist Research, Goldsmiths
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and shares lunches in the AND studio
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and publishes to find comrades
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and sees publishing as an artistic practice
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and an immediate response to the closure of Byam Shaw library
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and creates a reading list for a coming community
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and has received funding from the Arts Council 
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and is currrently self-funded
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and runs a printing workshop on the roof top at MayDay Rooms
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and researches white markets, grey markets, black market
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and was an open print-on demand platform until 2015
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and plans to film a conversation with El Vonne Brown at the Bökship
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and will research the politics of female citation
and will republish Kate Walker’s ‘How Not to Reinvent the Wheel’
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and thinks about a manual about teaching for people who prefer not to teach
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and devised ‘Variable Formats’
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and talked at the classroom at the New York Art Bookfair
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and spent a day at the court room with the Piracy Project and three copyright lawyers
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and is trying to walk away from Facebook
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and self-publishing surgeries
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and made social realities with books with Brett Bloom
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and works at 96 Teesdale Street, London E2 6PU
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and is on twitter
and.publishing@csm.arts.ac.uk
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and the name of our publishing activity is
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