and
and
and
and
and
and
and contextual publishing
and
and
and messy
and personal
and
and
and distribution
and
and
and
and
and learns how to box and unbox, Marabouparken Konsthall Stockholm
and
and rethinks where the thinking happens – in conversation with Sarah Kember, Goldsmiths Press
and
and
and is excited about the LET’S MOBILIZE: What is Feminist Pedagogy? at Valand Academy Gothenburg
and
and
and
and
and published Teaching for people who prefer not to teach
and
and
and
and hosts an Economics For Everyone reading group, starting 5 Oct 2016 at 6.30pm
and
and
and
and Borrowing, Poaching, Plagiarising, Pirating, Stealing, Gleaning, Referencing, Leaking, Copying, Imitating, Adapting, Faking, Paraphrasing, Quoting, Reproducing, Using, Counterfeiting, Repeating, Cloning, Translating
and
and
and
and self care in an unequal art world
and
and will be at Miss Read in Berlin on 10-12 June 2016
and
and feminism(s)
and
and
and
and
and asks “Why Publish?”
and
and
and
and
and
and
and
and goes to book fairs such as OOMK Future Library Fair at OSE
and the New York Art Book Fair
and London Art Bookfair
and Salon Light Paris
and Publish and Be Damned
and Spike Island Book and Zine Fair
and Vancouver Art Book Fair
and Miss Read
and
and
and
and
and
and
and
and
and
and
and
and
and
and was founded by Lynn Harris and Eva Weinmayr in 2009
and is run by Eva Weinmayr and Rosalie Schweiker
and
and
and
and irregularly collaborates with Andrea Francke
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and the
and
and the
and
and writes about the Impermanent Book on Rhizome
and
and
and Piracy Project reading rooms
and a series of Piracy Lectures
and
and
and
and
and
and
and
and
and
and
and t
and
and
and
and
and
and
and
and
and
and Yeah, it was mostly girls
and
and
and
and
and
and
and
and
and
and
and Feminist Writing at the Centre for Feminist Research, Goldsmiths
and
and
and
and
and
and
and
and
and
and
and publishes to find comrades
and
and
and
and
and
and
and
and
and
and
and sees publishing as an artistic practice
and
and
and
and
and an immediate response to the closure of Byam Shaw library
and
and
and
and
and creates a reading list for a coming community
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and is currrently self-funded
and
and
and
and
and
and
and
and runs a printing workshop on the roof top at MayDay Rooms
and
and
and
and
and
and
and
and
and
and
and was an open print-on demand platform until 2015
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and plans to film a conversation with El Vonne Brown at the Bökship
and
and
and will research the politics of female citation
and will republish Kate Walker’s ‘How Not to Reinvent the Wheel’
and
and
and
and
and
and
and
and
and
and thinks about a manual about teaching for people who prefer not to teach
and
and
and
and
and
and
and
and
and
and
and
and
and
and devised ‘Variable Formats’
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and spent a day at the court room with the Piracy Project and three copyright lawyers
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and
and self-publishing surgeries
and
and
and
and
and
and
and made social realities with books with Brett Bloom
and
and
and
and
and
and
and
and
and
and
and
and
and works at 96 Teesdale Street, London E2 6PU
and
and is on twitter
and.publishing@csm.arts.ac.uk
and
and
and
and
and
and the name of our publishing activity is
and
and
the name of our publishing activity is
